![]() ![]() She broke it previously “Stupid Hoe” and “Beauty and a Beat”. This also made Nicki Minaj the first and only female artist, to break the VEVO 24 Hour record three times. Following the video's release, it broke the 24-hour streaming record on Vevo by accumulating 19.6 million views in its first day of release, being surpassed by Taylor Swift's "Bad Blood" in 2015. An accompanying video for the song was directed by Colin Tilley and released on August 19, 2014. The song also peaked within the top ten in Australia, Canada, Ireland, New Zealand and the United Kingdom. ![]() It went on to spend eight weeks in the top ten of the Hot 100 chart. The song peaked at number two on the US Billboard Hot 100, consequently becoming Minaj's highest charting single in the United States to date but remaining in the number two spot due to the popularity of Taylor Swift's "Shake It Off". The song prominently samples "Baby Got Back" (1992) by Sir Mix-a-Lot. The song was produced by Polow da Don, DJ Spydr, and Da Internz. It was released on Augby Young Money Entertainment, Cash Money Records, and Republic Records as the second single from the album. “Finding it ironic to parade the pit women against other women argument about as one unmeasurably capitalizes on the take down of a woman…,” Perry tweeted, after which Minaj sent her a kissy face emoji."Anaconda" is a song by Trinidadian-American rapper and singer Nicki Minaj, from her third studio album, The Pinkprint (2014). While the two hashed it out online, Swift implied that Minaj was trying to “pit women against each other,” leading a disgruntled Perry to jump into the fray. Why does this matter? Minaj and Swift once had beef of their own, sparked by a misunderstanding over a couple 2015 VMAs-related tweets (Swift had received a video of the year nod, ironically for “Bad Blood,” which went on to win meanwhile, Minaj’s “Anaconda” was snubbed). Then, at the very end, Palmer takes one last dig at Jackson’s comments about her motherhood: “S–t, I’m so tired… I am a mother, after all,” she says, winking at the camera.īefore the two stars made amends, however, Perry seemingly shot back at Swift with her 2017 single “Swish Swish.” The “Dark Horse” musician even took it one step further by including Nicki Minaj on the track and casting the rapper in a starring role in its corresponding video. All the while, Usher taunts in his lyrics: “Somebody said that your boyfriend is looking for me, that’s cool/ He should know I’m pretty easy to find/ Just look for me wherever he sees you.” The Nope actress went on to star as Usher’s leading lady in the musician’s “Boyfriend” music video, the duo looking like a glamorous couple onscreen and busting out some epic group choreography together. But it was Palmer who got the last laugh. “You a mom,” he’d written accusingly, amongst other comments. In summer 2023, Darius Jackson made headlines for publicly shaming his then-girlfriend Keke Palmer, with whom he shares a son, for wearing a sexy dress to an Usher concert and dancing up close with the R&B singer on Twitter. ![]() ![]() Bring along a flashlight, though - it’s about to get shady. Without further ado, here are eight times artists used casting choices to take digs at someone else through their music videos. These artists know no fear when it comes to assembling music video casts that are sure to send fans and social media into a tailspin, whether it’s through recruiting an enemy’s enemy or an adversary’s doppelgänger for four-ish minutes of onscreen shade set to music. It’s on the latter side of the spectrum where the artists on this list - Katy Perry, Nicki Minaj, Drake, Justin Timberlake, Usher and more - like to dabble. But on the other hand, there’s just full-blown pettiness, achieved through nail-on-the-head creative choices such as, say, casting people that you know are going to get a reaction out of someone special (or not so special). On one side of the spectrum, for instance, there’s the Taylor Swift method of hiding cryptic Easter eggs seemingly directed at her nemeses (see: “The Man,” “Look What You Made Me Do,” etc.). One of the best things about the format is that you can be as subtle or as obvious as you want. That would all change for good circa 1981, however, when the modern music video was born - bringing with it a whole new way for singers and rappers to creatively dunk on their haters, exes, backstabbers, copycats and everyone else in between. For years, musicians pretty much had just one artistic outlet for dissing their enemies: through song. ![]()
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